part
one
Tuesday,
June 1, 1993
I
went to the Blue Diner for coffee. Louise was there. She said that she
had a good time yesterday. "Anne and Giovanni are perfect for each other. They
even have the same laugh."
I
said, "People have a way of becoming similar as they grow close." (I thought about
the importance of asking oneself, "Do I want to be like that?" when choosing a
mate.)
She
said that Obadiah and Jane haven't got a chance. They've only known each other
a couple of days and are already bickering. I said that I couldn't see what they
have in common. Louise said, "They must like the way each other looks. Jane is
a very pretty girl."
Louise
told me that she's going to Memphis in a few days. Since she just returned from
there a week ago, I asked if there was a problem with her family. She said, "No.
I'm going to see a man. I don't know him very well."
I
said, "I'm glad your trip is for whimsy rather than trouble."
She
said, "I don't know. Spending two and a half days on a train so I can see him
for two days seems a little scary. I hardly know him."
I
said, "You'll be getting back to Boston around the time I go to New York."
She
said, "No. I'll be back next Wednesday."
"That's
the day I go to New York."
Louise
said that she may be going to the city that weekend. I said, "I should give you
a number to reach me there. I'll have time on my hands. We should go to the Museum
of Natural History together." I would benefit from her knowledge of biology. She
recommended some fiction with Darwinian themes. I asked if she'd seen Woman
in the Dunes. Maybe we'll get together after our travels and watch it.
Louise
said that she'd take Plagues and Peoples (which I'd given her) on the train
to Memphis. It's
a long ride.
Amy
called. She moved from Central Square. She told me that Debbie is finally breaking
up with John. I told her I planned to go to New York for the opening of Alan's
show.
She
said, "You've been a good friend to Alan."
"Not
really."
I
called Debbie in New York. She works in the garment industry (leather importing).
She worked at Hubba Hubba when I first knew her. I wanted to arrange to
stay at her place next week. We hadn't spoken for over a month. Debbie said that
she'd been in the Orient for three weeks but had been back for a while. I said,
"I've been waiting for you to call and let me know that you're back. Do you have
a new boyfriend or something?"
"No.
Nothing as exciting as that. How was your show at Barney's?"
"You
mean Bendel's. It didn't happen."
"What
happened?"
"We
met in February and scheduled the show for late April. They sent me a letter of
instructions about sending information to their main office and I didn't hear
any more from them. Anyway, I was busy building the jewelry I'd need. About a
week before the show, I called to confirm and settle final details. I had to leave
a message on Debra's voice mail. She didn't call back. The next day I called and
left another message - still no response. Eventually, I called and finally managed
to speak to a human. She said that Debra was in New York and wouldn't be back
until next week. If I'd leave my number, she'd call back. I told her that that
was no good because I was supposed to have a trunk show before then. She said
that she'd heard nothing about it but if I left my name and number, Debra's assistant,
Karen, would call me right back. I did. She didn't."
"Of
course I concluded that there was no show. On Friday (the first day of the scheduled
show) I got a call at about noon. It was Karen wondering where the hell I was.
I told her that I'd interpreted the silent response to my request for confirmation
as negative. Karen said that she'd called me all day Wednesday and into the evening
but that nobody had answered. I told her that I'd been home all day and that I
have an answering machine anyway. She said, 'Maybe there was something wrong with
the phone here.' Karen said that things were all arranged and could I come out
now. I said that I'd made other plans. She asked if I could come tomorrow. I said
that I'd made other plans. I told her that she should have Debra call me when
she returned so we could try to reschedule. Karen said she would. Debra never
called."
Debbie
said that she was busy working and I said that I'd call her at home, later this
week.
I
called Bethany. She said she'd been thinking of calling me. Things have been pretty
insane with her roommate but they are calming down. She said she's been working
a lot at The Children's Museum and that she needs the money, but it's been
cutting into her time to work on her sculpture. Bethany was firing up her kiln
as we spoke and told me how good she felt to be getting to work. I asked her if
the kiln made much of a difference in the room temperature. (I was wondering if
this glasswork was a better activity for the winter than the summer.) She said,
"not really."
We
made some vague plans to get together Friday and I told her to have a good time
melting glass.
Wednesday,
June 2, 1993
Howard
came over last night. He told me about his sister and her family visiting him
over the weekend. We talked about the way having children seems to narrow the
focus of people's minds. I told him about my idea that this may reveal the Darwinian
function of homosexuality. I'd been wondering about the function of menopause,
Why wouldn't a woman die when she passed the age where she could bear children.
Presumably, grandmothers enhance the viability of their descendants. This isn't
so hard to see. It's most obvious in the case of young orphans but the additional
childcare and education also provide clear advantages. This is similar to the
greater success enjoyed by children with two parents. (note
16) I suppose that we all benefit from the cultural advances made by people
whose lives aren't circumscribed by caring for their offspring.
This
morning I went to the Blue Diner to read and drink coffee. My book on ancient
trade relationships is getting good. There are various maps showing patterns of
colonization by the Greeks and Phoenicians. I was surprised at how easily I perceived
strategy in them. I think it's because of that game, Civilization.
I
bought the game a while ago and after playing it a bit, I decided that I didn't
like it and returned it. The premise of Civilization is that in an unexplored
world, you found cities, manage economies, wage war, trade, and pursue technological
innovation while competing tribes (or empires) do the same. Although it is a great
idea for a game, the execution was unfortunate. Not only was it full of bugs,
but there was an unpleasant political slant (such as including alarmist environmentalist
prophecies). I always had the feeling that I was dealing with a substitute high
school history teacher whose understanding of historical theory lacked nuance
and was a generation obsolete. There's something spooky about counter cultural
values being applied in such a rigidly deterministic way. The program was annoying
when it tended to interrupt play with various announcements, return to the map
and then interrupt again. When it returns to the map the player starts to orient
himself and then the map is gone. This gets frustrating when it happens repeatedly.
Anyway,
the maps in my book were so transparent that I could read the strategic component
of the waves of colonies almost as if by aesthetic intuition. As I mused over
the way I'd learned something valuable from something I didn't like, Peter and
Cynthia sat down next to me at the counter. They were going out to breakfast,
taking advantage of their self-employed status. Cynthia said, "We had a good time
the other night."
I
said, "You should come again soon to see the other episodes of Jeeves and Wooster
that I have." I told her that I have a Wodehouse collection of all the Jeeves
and Wooster short stories that she's welcome to borrow.
The
three of us discussed the huge amounts of information that the computer is making
available and the new ways of thinking that this allows. I said that Greeks,
Romans & Barbarians is a perfect example. It is by an archeologist who freely
employs historical methods. He examines the interface of several cultures and
is very biological in his thinking.
Cynthia
asked me, "In what sense do you mean biological?"
I
said, "Since the 1960s, a school of historians has evolved that looks at human
history itself as a biological process. They use several models. Obviously, the
historic importance of assorted plagues (and medical advances) can be analyzed
by epidemiological tools. Less obviously, epidemiology provides models that can
describe the spread of ideas and technology within and between societies. Ecology
sheds light on everything from nutrition to agriculture as well as the many ways
we alter our environment. There are excellent studies of the consequences of our
bringing different plants and animals into new environments. Things like the population
increase in the Old World that followed the discovery of some New World food sources."
Cynthia
seemed to think it was good that people are not being viewed as separate from
the life processes on our planet. I wondered where she'd been. Darwin lived a
long time ago.
I
said that I think that this is a more important advance in historical thinking
than the ideas of Marx and Freud.
Thursday,
June 3, 1993
I've
been expecting Bethany to call. She hasn't. We're supposed to do something tomorrow,
so I called for details. I got her machine.
Margo
called. We had lunch at Tremont Ice Cream.
After
lunch, I delivered some negatives to Howard. They were photos I'd taken for Paul
of some shelves he built. He needed prints for his portfolio. Howard gave me a
clipping from The Wall Street Journal about Vice President Gore's political
manipulation of the scientific establishment. The article pointed out his view
that legitimate scientific questions are counterproductive because they tend to
confuse people who should be lining up in lockstep ranks to fight the impending
holocaust. Sound familiar? American style inefficiency has contributed so much
to our success.
Gore's
interest in thought control reveals values he shares with his wife, Tipper, the
crusader for decency. It is funny that people who have gained so much from our
system of unregulated speech and inquiry are so distrustful of it. Why would we
want the Gores to decide which information we need to be protected from?
Alan
called. He is going to New York on Sunday. I thought it was a week later so I
must juggle my plans so I can attend his opening.
Bethany
called. She has to work and thinks that she may be too tired to see me tomorrow
night. Maybe Saturday night. Probably not. Sunday, I'm going to New York. Maybe
I'll see her after I get back next week.
Paul
called. We might go to Chris and Crash's party Saturday. It depends on Bethany.
Friday,
June 4, 1993
Anne's
mother gave her three complimentary tickets to Shaw's Arms and the Man.
She wanted to take Giovanni and me, but Giovanni had a last minute trip to New
York (something to do with his brothers' band.) So she invited Denise. I haven't
seen Denise for months. I'm not complaining. We met her at the theater. She said,
"I haven't read any Shaw in years. How about you, Arthur?"
"I
think I read Pygmalion a month or two ago." She asked me if I'd read Backlash.
I said I'd looked at it but that it appeared to be mere polemic. Still, so many
people ask me my opinion of this book that I think I'd better read it. I said
that I felt the same way about The Beauty Myth.
Denise
said, "I'll stick with Camille Paglia."
I
found this amusing because Denise is very conventional in her opinions. And very
decided. (She claims that Europeans are more honest than Americans. That is why
their films show "male full frontal nudity" and ours don't). Perhaps if she were
European, she'd be honest enough to admit that she prefers their films because
they show what she likes to see without making a moral issue of it. (Or honest
enough to call it a penis instead of resorting to that clunky euphemism.)
Anne
and Denise talked about Denise's Memorial Day party. I gather it wasn't well attended.
It sounded like Anne saved the day when she brought Giovanni, Obadiah and Jane.
I
enjoyed the play. As we walked toward Back Bay, we waded through the crowd leaving
The Boston Pops. Apparently the concert had been attended by a package
tour of older people. I commented to Denise on the high percentage of salmon colored
blazers. "It looks like they buy their clothes in Palm Beach."
She
said, "No, Miami. But people never dress that well in Miami."
That's
why I said Palm Beach. Denise's family is in Florida. This has mutilated her sensibility,
beyond hope of repair. Of course, I'm from Detroit.
We
stopped for coffee at The Coffee Connection on Newbury Street. Denise told
us how much she's been enjoying her job during the interregnum since her boss
retired. She seemed inflamed by her unaccustomed opportunity to wield power. Anne
and Denise chatted about their mutual friends. Denise asked me about Russell.
I think that she was fishing for gossip but I've been feeling protective of him.
So I told her about his radio suspension.
Bethany
called. I picked her up at The Children's Museum and we walked to my place.
She seemed distant. When I walked her home, she gave me an update on her domestic
situation. "Do you know what it's like to wake up with somebody's face hovering
over you? I asked, 'what is it?' and he started to cry."
I
said, "That's a reason to sleep with a gun under your pillow."
She
said, "This whole thing is starting to wear on me."
Bethany
isn't as single as she thinks.
There
was no awkwardness when we didn't kiss each other goodnight.
Saturday,
June 5, 1993
Paul
called and said he'd be getting out of work at 5:30. I hadn't expected Bethany
to call. I wasn't disappointed. As I walked down Mass Ave, to meet Paul, I saw
Russell talking to his brother, Andrew. I was running a little late and didn't
have time to talk so I just smacked Russell on the rear end with the book I'm
reading as I walked by. I don't think he saw me. He didn't even turn around. I
stopped and spoke with them and Russell said, "I just thought it was some girl."
For an insecure person, he is supremely self-confident. Russell asked me when
I was getting back from New York. He wanted to set a meeting up with Christine
for Thursday or Friday. "She's been away on a shoot."
Paul
and I took the blue line to Maverick. We had a long walk in the rain to Chris
and Crash's house. East Boston was a bit depressing even though it retains a neighborhood
feeling.
Sonic
Youth was on the stereo at the party. They sounded tired. There weren't many
people I knew so I spent my time trying to calculate the proportion of men with
pony tails or goatees. I was expecting to see Margo but I was dissapointed. A
woman sat down to eat next to me and we started talking. Her name is Heidi. I
noticed her when she arrived because she dressed more smartly than most of the
others and she carried a bottle of Champagne. Heidi said that she's a bureaucrat.
Environmental protection. She lives in Cambridge. She was very hungry because
she'd just been a bicycle race. Heidi won some money. She said that there weren't
many women competing, so it was easy to do well. She asked me what I do and I
told her, "I'm a dilettante."
She
said that she makes collages (Uh oh. Women's art.) and likes to write.
I
asked Heidi "What kind of writing?"
She
told me that she's been writing articles for the Phoenix about mountain biking.
"Lately, for myself, (I don't mean to sound heavy) I've been writing about incest."
"Pro
or con?" I asked. Her jaw dropped.
"Oops.
I forgot that you were from Cambridge and may not know that there are different
ways of looking at things." (note
17)
She
continued to be civil, even pleasant, to me. I have to give her credit. She asked
me about the book I was carrying. I described it to her. Heidi said, "The botanist
in me is interested."
I
said, "In that case let me recommend a few books that you might like more." I
wrote down some titles and authors. (note
18) After I described each of them she said, "You're quite a resource. There
are still people out there who have the archaic view. 'It's my land and I can
do whatever I want with it'.
"
I said, "The romantic view of nature is also archaic. It just happens to be dominant
now."
I
wrote my phone number on the list of books and told Heidi that I have tons of
books about this subject and I'd like it if she felt free to call me to check
them out. I felt that I'd been so obnoxious that I owed her special courtesy.
As
Paul and I walked to the subway we talked about Heidi. We both thought that she
seems worth knowing. I wondered if she'd call me. Paul said, "I think she liked
you." He'd made a date with a woman he knew at the party.
When
I got home, there was a message on my machine. "HI Arthur. It's Bethany. Sorry
I screwed up and didn't call you until now, I'm just getting back into town now.
I hope you have a good time in New York and I'll talk to you Wednesday or Thursday
and we'll get together and do something. I promise. Talk to you later,
Bye."
Wednesday,
June 9, 1993
I'm
worried.
Something
is wrong with my memory.
It's
improving.
Yesterday,
I spent a few hours walking through Central Park. I found myself thinking about
twenty-five years ago. Then, I was walking through the park and somebody threw
a baseball at me, hit me in the head, and put me in the hospital for a week or
two.
On
a brighter note, I remembered romantic episodes that occurred there (particularly
one involving poison ivy). I thought about movie scenes from Sweet Charity
and The Producers and so many others that had been filmed there.
Eventually,
I went to the Met where I saw the Havemeyer collection. I walked downtown. The
city was redolent with my past. Here is the spot where a friend turned, waved
at me and fell off his bike. In front of Bloomingdale's, I prankishly had
taken off my clothes one rush hour (anticipating streaking by several years).
There
was a stratigraphic quality to my walk. The further downtown I was, the more recent
the incidents intruding into my awareness. I passed different buildings where
I had worked at horrible jobs. The places I'd eaten lunch. I tried to decide if
the lunches were worse than the jobs. By the time I reached Washington Square,
I felt positively haunted by the vividness of my past. I sat on a bench where
I used to write poetry and fend off chickenhawks. The girls are prettier now.
The homosexuals are not. I too am not. Nobody bothered me.
As
I traveled through SoHo, I remembered Sasha. She went to Sarah Lawrence College
when Jenni, Laura and my sister, Martha, were there. We became very close and
collaborated on art projects together. I think that her interest in high technology
art was a consequence of our friendship. Sasha worked at The Museum of Holography
on Mercer Street. She invited me to a New Years party where they displayed all
the pornographic holograms. I walked down Mercer Street. The museum was long gone.
I saw a building that looked familiar. That is where her loft was. One night she
had a party. I went with Laura. I think Sasha was tripping. She was beautiful.
Her eyes glowed. I went home. The phone rang. It was Sasha. She wanted to see
me.
"It's
important."
She
took a cab up to Thirtieth Street where I was living with a psychotic School of
Visual Arts student. She came in, took off her clothes and got into my bed. (It
wasn't the first time.) (note 19) She
said that everything was clear and she was in love with me and only wanted to
be with me.
I
made a big mistake.
I
was tormenting myself over Jenni's leaving me (that would continue for many years.)
I told Sasha that she was ethically required to end things with her boyfriend
before giving herself to me. I said that I was a bad risk and was afraid I would
hurt her. Sasha said she knew me better and trusted me. I had to prove her wrong.
I bumped into her about five years later in Central Square, Cambridge. She looked
fabulous. She told me that she was going to be married and move to Arizona to
study mathematics. She called me unreliable.
Not
unrepentant.
I
was becoming maudlin so I stepped into a cafe, The Cupping Room. When I
sat down, I was flooded with memories. Sasha and I had gone there. Laura and I
used to meet there when Laura was Jenni's best friend and I was going through
that breakup. I ordered an iced coffee and tried to read my book but images from
other times overpowered me. 1977 was as vivid as 1993.
I
finished my drink and went to Synchronicity Gallery where Tim and Alan's
show, American Wastelands was opening. They arrived with snacks designed
to look like toxic waste. There was a cake decorated like a leaking oil drum and
they'd baked brownies in a pan shaped like a map of America. They were unable
to remove the brownies from the tin, so they were left in a mirror image of the
map with Florida and Maine on the left. I asked if that was anti-American. The
photographs on the wall were so vacuous that I couldn't help thinking that the
exhibition title was unfortunate. I read Alan's artist's statement. He had cobbled
it together from a grant proposal I'd helped him write some years ago and, despite
a few felicitous phrases, it was obsolete and somewhat trite. I continued to examine
the pictures while guests started arriving. Alan introduced me to a woman named
Susan. She told me a lot about herself and said that she didn't ask me much because
she felt that she already knew me from all the things that Alan had said about
me.
I
said, "I won't try to defend myself."
She
laughed and said, "He
always speaks very highly of you. Would you like a glass of wine?"
"At
least one. I need to be anesthetized."
She
asked if I'd heard about David Byrne.
I
hadn't.
Susan
told me that the night before, Alan saw Byrne (note
20) and gave him an invitation to the opening. Susan brought her camera and
some compact discs to autograph. "Just in case."
Susan
told me that she used to go out with Alan for about a year and that he often repeated
conversations we'd had. She said that he had told her how excited he was when
I introduced him to my friends Becky and Cindy.
I
said, "Neither of those friendships survived that introduction." Susan talked
about why their relationship (which I'd never heard of) ended. I understood. I'd
heard it before. I told her that I'd come to New York for the opening partly out
of concern that nobody cared enough about Alan to make it. Susan thought it sad
that his parents hadn't cared to come.
Mike
walked in. I haven't seen him since Alan's wedding. He flew down from Boston to
be at the opening even though he'd flown from New York to Boston the night before.
Mike had addressed a board meeting about how he was going to spend twenty-four
million dollars acquiring high tech companies. We joked about making sure that
they were in desirable vacation spots. He told me how much the company has changed
since I helped him reorganize it. I miss the excitement of those days (not enough
to wish to return). Mike told me about his new daughter. He told me about his
therapy. He said that I am the most brilliant person that he has ever met and
that everybody who knows me says the same thing. (note
21) I would have been flattered had I been unaware of the purpose of the remark.
Mike thinks he is a failure with his two marriages, corporate presidency, lovely
home and daughter. I think he views my lack of achievement as a mark of talent.
Somehow, this excuses him. I told him a little about what I've been up to and
asked to borrow his sampling keyboard. He knew about my computer music project
and said that it was good that I set things up so I don't have to depend on the
talent of others.
I
said, "Quality assurance."
Cindy
came over and told Mike that she hadn't seen me since she came by with a swollen
hand needing a ring cut off.
"Arthur
was a real trooper."
I
complimented her on her taste in jewelry. She was wearing my work. She looked
good. Less like a gangster. I asked her if the show of my photographs was still
on the schedule at the Middle East. She said, "yes" and asked me which
room would I like to use. I asked her to call me when we get back to Boston so
we could discuss the details.(note 22)
Mike
told Cindy about David Byrne and said, "He's very intelligent."
I
said, "So he has less excuse."
Alan
joined us. He talked shop with Mike. I was still experiencing the surging memories
of my day in the city and stood there with three people who had been very close
friends. It wasn't easy to enjoy.
Later,
Mike asked me if I was part of the group going out to dinner afterwards.
"I
wasn't invited."
He
and I talked about relationships. The last time we'd done that was seven years
ago. Mike had said, "A bad relationship is better than none."
I
had disagreed.
Now,
Mike was telling me that I am certainly smart enough to reconstruct a woman's
reality into a form convenient to me. I tried to explain that I am not looking
for that kind of love. Maybe my wanting affection rather than just an echo means
I'm smarter than he thinks.
The
opening was ending and as we were thrown out I asked Susan to call me. She is
interested in my jewelry. She said she'd get my number from Alan.
We
walked to Tim's nearby loft. While Alan and Tim were putting things away, Mike,
Susan and I continued talking. Somebody said something about pictures of flowers.
I told Susan I'd been taking pictures of exotic flowers and young women. I made
a joke about photographing dried flowers and elderly women.
Tim
looked up and said, "That sounds pretty trite, Arthur."
I
started to say, "I bow to your superior expertise in that area", but I realized
that if I started to tell these people what I thought of them it might lead to
bloodshed. Especially considering the mood I was in.
We
left and I walked with them the few blocks to the restaurant. They went in. I
went on.
I
walked up Broadway. I thought about City of Eros. SoHo is where the first
sex district in New York was. I looked at buildings, trying to see which ones
might have been brothels. Broadway has been hooker territory since it was first
paved. At Fourteenth Street I could see the shells of Vaudeville theaters. As
I moved uptown, I tried to follow the progression of the theater/sex district
from the past into the present. The sense of enhanced memory slowly dissolved.
Eroded by fatigue. When I reached the Upper West Side, I was empty of any thought
or feeling.
Silent.
Thermal
Noise